Fast-rising Ghanaian trap artist Miracle LRE is redefining how language and culture blend in modern music, and he’s doing it one dialect at a time.
In a recent interview on At The DJ’s Mercy on 23rd May, 2025, with Kvng Kelly on Radio Univers, Miracle opened up about his approach to music, explaining how his multilingual background plays a major role in his sound.
“With most of my tunes, when you listen, you realize that if I say, ‘Tell them we are coming’, I say ‘Mi Gbona.’ In Ewe, it means exactly that ‘We are coming,’” he explained. “So when you play, ‘It’s okay,’ the English, the Twi, the Ga and everything fuses together to give you that kind of sound. So that’s what I’m about.”
For Miracle, this linguistic blend is more than just a style, it’s a statement. He believes music has the power to unite people across cultural lines, but only if it reflects the diversity of its audience.
“I feel like music shouldn’t be one-sided. When you go to the Ashanti Region right now, you won’t hear a Dagomba song playing. It’s not their fault, they just don’t understand it. Even though music is a vibe, unless it’s danceable or amapiano, it won’t connect. So I’m like, no, since I’m the link, why not connect everything and make it one? So the person listens and still picks the main idea.” he said.
Miracle’s ability to connect through music is rooted in his multicultural upbringing.
“I speak about 8 to 9 different languages,” he shared. “My dad was a teacher, so we used to move around a lot. If I’m to count both the first and second languages I’ve picked up over the years, that includes English, Twi, Ga, Ga-Adangme, Ewe, Delo (Ntrubo), Adele, and Atsode.” This linguistic versatility not only shapes his music but also gives him a rare ability to resonate with diverse audiences across Ghana and beyond.
This mindset is quickly setting Miracle apart in Ghana’s music scene, where he’s building a niche by blending trap with local dialects like Ewe, Ga and Twi, offering music that’s both authentic and relatable across regions.
As his fan base continues to grow, Miracle LRE is proving that linguistic diversity in music isn’t just a creative decision; it’s a cultural bridge.
Story by: Kelvin B. Annor-Yeboah | univers.ug.edu.gh
Edited by: Kelvin B. Annor-Yeboah
